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- Czech Republic
- Deviant for 16 years
- yenda.net
- He / Him
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Current Residence: Czech republic
Profile Comments 94
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Very nice work!
You have vary nice vision. Your ideas are linking to the different processes of photography. Yes, I like what you are doing, but I can not help this feeling because I see my own work 30 years ago.
Don't get sucked into cute, it will only distract you from personal vision. Putting color with the line drawings is not a vary visionary thing. Put it in a reversal image the same. Push the abstraction that is there. Remove the reference of 'body' and allow the abstraction to manifest. You will discover that the body will slide away and the image will disintegrate into bird and fish forms. Get a severe wide angle lens and just set the focus manual and then hover over the body inches away and at sever angles watch the results dissolve into the abstraction that it can be. Darken room, no references to reality.
When you finely get the visionary controlled you will see that your 'regular' work will become altered, the shadows will take on a dimensionality and the mid tones and high lights will no longer be your focus. These body/line works train us to see shadows for what they are worth. Learn to remove reality of body by putting the recognized signifiers like nipples, vag/labia, face, into the shadows; this will allow the abstract nature of contouring of body to emerge.
As to your work with motion, you will need to grasp that most of what is instructed, what is written about motion/blure is complete none-sense. Think in terms of the camera and not your eyes. The camera lens turns everything upside down and that which is moving right is for the camera view moving left. It is about oppsites. When panning the camera, realize that what it is doing is oppsite. Another critical aspect is that of the shutter. It too is moving and painting an image across the screen/film. If it is moving (shutter) the same way as the pan, then it can distort the action of time, causing that which is represented to be elongated in the scene. Focal Plane shuters work differently and so reveal image different than a leaf shutter.
If you want or need to e-mail me: tsumma@satx.rr.com
Don't get sucked into cute, it will only distract you from personal vision. Putting color with the line drawings is not a vary visionary thing. Put it in a reversal image the same. Push the abstraction that is there. Remove the reference of 'body' and allow the abstraction to manifest. You will discover that the body will slide away and the image will disintegrate into bird and fish forms. Get a severe wide angle lens and just set the focus manual and then hover over the body inches away and at sever angles watch the results dissolve into the abstraction that it can be. Darken room, no references to reality.
When you finely get the visionary controlled you will see that your 'regular' work will become altered, the shadows will take on a dimensionality and the mid tones and high lights will no longer be your focus. These body/line works train us to see shadows for what they are worth. Learn to remove reality of body by putting the recognized signifiers like nipples, vag/labia, face, into the shadows; this will allow the abstract nature of contouring of body to emerge.
As to your work with motion, you will need to grasp that most of what is instructed, what is written about motion/blure is complete none-sense. Think in terms of the camera and not your eyes. The camera lens turns everything upside down and that which is moving right is for the camera view moving left. It is about oppsites. When panning the camera, realize that what it is doing is oppsite. Another critical aspect is that of the shutter. It too is moving and painting an image across the screen/film. If it is moving (shutter) the same way as the pan, then it can distort the action of time, causing that which is represented to be elongated in the scene. Focal Plane shuters work differently and so reveal image different than a leaf shutter.
If you want or need to e-mail me: tsumma@satx.rr.com
thanks to all 
Fantastic works! 
Thanks for the 
and 
's 
and 's 
feature [link]
Amazing gallery-beautiful work!